In today's environment, a commercial screenplay means a clear concept.
I never worried much about concepts early in my career.
Much of my early work was hit-and-miss because of it. Some scripts would sell, and others wouldn't.
At some point, I realized my scripts with the best concepts were the ones that made me the money!
I might not have cared about concept, but the business sure did.
But what is concept? And why does the film business rely on it so much?
And how do you come up with one, let alone recognize a great one?
This mini-course offers a whole new insight into what is meant by commercial viability.
The course will cover:
While it works quite well as a standalone course, Concept is King is meant to be taken in conjunction with Perfecting The Logline. Get both as a bundle and save 25% HERE.
In today's environment, a commercial screenplay means a clear concept.
I never worried much about concepts early in my career. I knew a good one when I saw it, but I didn't go searching for them.
Much of my early work was hit-and-miss because of it. Some scripts would sell, and others wouldn't.
At some point, I realized my scripts with the best concepts were the ones that made me the money!
I might not have cared about concept, but the business did.
But what is concept? And why does the film business rely on it so much? And how do you come up with one, let alone recognize a great one?
This mini-course offers a whole new insight into what is meant by commercial viability.
The course will cover:
While it works quite well as a standalone course, Concept is King is meant to be taken in conjunction with Perfecting The Logline. Get both as a bundle and save 25% HERE.
Your Instructor: Tom Vaughan
I started writing professionally twenty-five years ago. I've had eight movies made and two more in production this year. I am proud of all the ups and downs of my career, but if you really want to understand a subject, I recommend teaching it.
I have been teaching for 20 years now. It forced me to communicate the why behind so many of the decisions I made as a screenwriter. In doing so, these decisions became tools, accessible whenever I needed them.
As I became a better teacher, I became a better writer. As I became a better writer, I became a better teacher.
When I struggle with any of my own projects, these are the principles I fall back on.
Because of my teaching, I finally have what I lacked early in my career: a tangible and repeatable process to maximize the full potential of a story idea and tell the story I am trying to tell to the best of my abilities.
That's what these classes are about. And Go Coogs!
This may be just a mini-course, but it can change the direction of your writing career forever. Like all the Story and Plot courses, it's yours to keep. Broken up into short videos, you'll be able to watch and absorb them at your own pace. Plus, you'll be able to go back and reference them whenever you need.
What is an online course without worksheets! It would feel like a ripoff if we didn't hand these out! Learn how the definition of concept will help you to identify and communicate your concept clearly. Understand the Marketing Aspect vs the Creative Aspect of your concept to generate great scenes and better "sell" your script.
The standard package. With this, you get:
The BUNDLE. With this, you get:
The deluxe package. With this, you get:
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