Where serious screenwriters grow and develop their projects - together.
Everyone tells you that writing is lonely, right?
Here is something I learned over the years:
That’s a choice.
Writing doesn’t have to be lonely at all.
Sure, there’s a point where it’s just you and the blank page, but being alone and lonely aren’t the same.
There are other talented people who know what you’re going through. They understand the trials of such an ambitious pursuit.
They understand the frustration of story problems that seemingly can’t be solved and the joy of actually solving them. Sometimes in a way better than you ever imagined.
They understand that screenwriting is mostly, "no," but one single "yes" is all it takes.
Screenwriting is challenging through every phase. It’s challenging when you first decide to pursue it. It’s challenging after your first option, your first sale, and your first production.
But it’s a lot easier with like-minded people supporting you and rooting for you every step of the way.
If you're serious about your screenwriting, Story and Plot Pro is the place for you.
Everyone tells you that writing is lonely, right?
Here is something I learned over the years:
That’s a choice.
Writing doesn’t have to be lonely at all.
Sure, there’s a point where it’s just you and the blank page, but being alone and lonely aren’t the same.
There are other talented people who know what you’re going through. They understand the trials of such an ambitious pursuit.
They understand the frustration of story problems that seemingly can’t be solved and the joy of actually solving them. Sometimes in a way better than you ever imagined.
They understand that screenwriting is mostly, "no," but one single "yes" is all it takes.
Screenwriting is challenging through every phase. It’s challenging when you first decide to pursue it. It’s challenging after your first option, your first sale, and your first production.
But it’s a lot easier with like-minded people supporting you and rooting for you every step of the way.
If you're serious about your screenwriting, Story and Plot Pro is the place for you.
After four decades in Hollywood, I’ve worked with some of the best storytellers in the business. Tom Vaughan stands out among them. His gift lies not only in understanding story structure, but in teaching it with clarity, authenticity, and heart.
He’s the real deal—deeply experienced, deeply committed, and deeply effective. If you’re serious about writing, Tom’s guidance is invaluable.
- David Kirkpatrick
Former President, Paramount Pictures & former Production Chief, Walt Disney Studios
In a community, you don’t just learn from one teacher. You learn from each other. This is most obvious when one member’s project faces obstacles, and everyone learns from the solutions. But it also includes the life experiences unique to each of us. Each person has different strengths and points of view for you to draw upon. While each member will have their own goals, we all share the goal of getting better.
A screenwriting career is a marathon. It’s ups and downs. Whether you call it resistance, or The Dip, there will be moments when forward momentum feels like a slog. When that happens, wouldn’t it be nice to have some people on your team? People who have been there, know how you’re feeling and want you to succeed? Maybe even some friendly competition reminding you that if they can do it, you can do it, too.
As William Goldman said, “The easiest thing to do on earth is not write.” We all know the drill. That bathroom isn’t going to clean itself, right? Sitting alone, we can find a hundred reasons not to push ahead. But we know that making commitments to others increases our chances of achieving our goals. In Story and Plot Pro, you’re not just counting on your fellow members. They’re counting on you.
I’m Tom Vaughan. I've written screenplays professionally for 28 years and taught the subject for nearly as long.
Story and Plot Pro is the focus of my teaching these days.
I can't promise you a professional screenwriting career.
No one can.
But I can promise you that you will be a better screenwriter. And I can promise to help you achieve your screenwriting ambitions.
And this membership is designed from the ground up to help you do that.
Story and Plot Pro is for the most devoted of screenwriters.
The backbone of the membership is the eight formally scheduled coaching sessions every quarter. These aren’t just the normal curriculum of screenwriting fundamentals either. Those are important, and it’s why MASTERING STRUCTURE and IDEA TO OUTLINE are required, but…
This membership is about developing professional-level material to sell or produce.
It’s about creating the screenplay you always wanted to write, the one that jumpstarts your career.
What would the opportunity mean to you to develop a new screenplay with someone who has done it professionally for 27 years?
We won’t be just developing your project. You'll follow my progress as I develop mine, too. I’ll be sharing my current work every step of the way, right alongside yours and everyone else’s.
While the eight classes are front and center, the membership and everything surrounding it might be an even better value. The membership is where l share every new thing I learn and encounter in this business, and we encourage every member to do the same.
I am active on the boards daily, answering questions and pushing you forward every step of the way.
There are weekly events, guest interviews, and script readings. Even virtual events that are designed solely for camaraderie. All while the entire membership curates the best free resources out there to share with the group.
Best of all, we will be doing all of this together.
Working with Story and Plot Pro has been an incredible experience. Whether it's his videos or his classes, there are very few teachers out there who have tools with as much practical application as Tom Vaughan. Some teachers talk about what it should look like when it's done, Tom teaches how to get there. He's a diamond in the rough, this guy!
— Joshua Stamen
To be honest, I wanted something more.
I have been teaching primarily introductory classes for the last few years, including my current courses at The University of Houston. I still love seeing light bulbs go off with these core concepts, but for my private training, I wanted something deeper.
I want to help writers develop material. I want the relationships and creative energy I had experienced twice before, once as a teacher and another as a student.
SWAMP AT 3400 MAIN STREET - HOUSTON
These were the original Story and Plot weekly classes. Eight of us met every Monday night, and we developed some fantastic material. It was a generous, creative group. We laughed hard, and we learned. I learned how to teach, and they learned how to write screenplays, and I certainly got better as a writer, too.
Fifteen years later, we still talk, grab drinks, and watch each other’s kids grow up. It remains a favorite chapter in my creative life.
IMPROV BOOT CAMP - LOS ANGELES
Improv was my creative community in Los Angeles. Boot Camp was four times a week from noon-2pm. I was among 24 revolving students with some of the best coaches and teachers I’ve ever worked with. We did terrific work, I learned a new craft, and I made friends that I still have today.
There is something unique about learning a creative endeavor in the safety and support of a group. This is especially true when learning a craft that's all about emotion. Within this collaborative learning, individuals tap into a wealth of resources, experiences, and support.
These weren’t just classes. They were communities. And this is what I want from Story and Plot Pro.
The backbone of Story and Plot Pro and where the quarterly price point comes from.
Each class covers topics relevant to the membership. We examine structure, character, and improving the read. We break down films relevant to the projects we’re working on and host professional guests with open Q&As.
The price of the entire membership is how much I charged for my sold-out eight-week sessions in Los Angeles, meaning just these classes are worth the price of membership alone.
The backbone of Story and Plot Pro and where the quarterly price point comes from.
Each class covers topics relevant to the membership. We examine structure, character, and improving the read. We break down films relevant to the projects we’re working on and host professional guests with open Q&As.
The price of the entire membership is how much I charged for my sold-out eight-week sessions in Los Angeles, meaning just these classes are worth the price of membership alone.
This is not social media. We don't want it to be. The membership is your sanctuary from all that. It is your creative tribe that shares the same vocabulary and values story as you do.
Think of it as a specialized writers’ group, strategically led by a professional screenwriter and educator.
We exchange ideas, punch-ups, and simple, honest feedback. Whatever your project, we’ll be there supporting you, cheering for you, and keeping you on track
With Story and Plot Pro, you’re not just writing, you're growing. We all are.
You can jump in and focus on a rewrite, but the soup-to-nuts approach may be the best way to leverage Story and Plot Pro.
It took me 20 years before I started to collaborate with my agents and managers before I wrote a screenplay. You don't need representation for this, though. You just need trusted allies. And that's what Story and Plot Pro is all about.
Bring in multiple story ideas, and we will narrow down the best ones based on your current goals. Want to sell it? Want to make it yourself? Want a calling card script? We'll figure out the best projects, whatever your answer.
Then, using the steps we learned in Mastering Structure and Idea To Outline, we'll go all-in and build from the ground up.
How big of a difference do you think it would make to break your story structure with a professional screenwriter of 27 years? This isn’t just advice, either. This is sitting in the writer’s room with one of the best structure people out there and mapping out the cinematic story you always wanted to tell.
These kinds of opportunities don’t come along often. Not only will you get to do this yourself, but you’ll also watch others break their stories. Through each of these reps, you'll absorb a most invaluable skill that will last the rest of your career.
Ask questions, get answers.
"Coaching in public" are short video lectures that cover challenges from the community.
But because the videos are public, it's really coaching for everyone. You don't just learn from your own questions, you absorb the lessons from the entire community as well.
Ask questions, get answers.
"Coaching in public" are short video lectures that cover challenges from the community.
But because the videos are public, it's really coaching for everyone. You don't just learn from your own questions, you absorb the lessons from the entire community as well.
The daily Writing Sprints have been the single most significant addition to my productivity in 20 years.
At first, I was skeptical, but the community accountability and camaraderie have changed my writing routine forever and are worth the price for Story and Plot alone.
I want you to join us for them.
Masterminds are optional small writing groups inside the community. They know your project and can provide more detailed assistance and support. Your only job is to do the same for them.
Notes Down To Every Word
Your mentorship doesn’t stop with story structure.
Your support includes how to generate great scenes and sequences, and perhaps one of the most important but poorly understood skills of all…
How to make your screenplay a “good read.”
We'll take any ten pages of your screenplay and comb through each sentence and every word to teach you to improve the readability of your script. You'll make your writing clearer, more visual, and more emotional.
When the reader is finished, they will not have read a script.
They will have watched a movie.
Notes Down To Every Word
Your mentorship doesn’t stop with story structure.
Your support includes how to generate great scenes and sequences, and perhaps one of the most important but poorly understood skills of all…
How to make your screenplay a “good read.”
We'll take any ten pages of your screenplay and comb through each sentence and every word to teach you to improve the readability of your script. You'll make your writing clearer, more visual, and more emotional.
When the reader is finished, they will not have read a script.
They will have watched a movie.
We Love Film And TV
It's why we got into this, right? We're storytellers. and in the Pro membership, that's how we watch and discuss movies and shows: as storytellers.
We reverse engineer structures, genres, and character transformations from the movies relevant to the projects we're working on. Whether you're writing comedy, action, horror, or a character-focused drama, here is where we learn how to use the genius and failures of others to influence our own work.
Sometimes, we're a scientific lab as much as a creative collective.
And so Much More
Story and Plot Pro is your knowledge hub on the internet curated just for you. How? Because we know what you're working on. As I add every new thing I learn into the membership, so does everyone else. This is the hive mind working every day. You'll also get the following:
Story and Plot Pro is designed to be small.
Unlike many other screenwriting "communities," growth and size are not the point here. In fact, it undermines the point.
With a high barrier of entry and strict admission, we ensure that each member shares our values of story and emotion first, as well as the power of encouragement and positive energy.
This small number also allows for more individual attention and tighter bonds. Let other places focus on scaling their business. We've got something else in mind.
As someone who needs structure and accountability in order to thrive, S&P Pro has been a game changer. Having Tom's guidance is great, but what really makes this group shine is the community. Their work ethic and focus inspire me, and the regular writing sprints have truly transformed the way I work. Grateful to be a part of it.
— Zoey Sidwell
Let's Review
This quarter will offer a Tuesday night group, A Wednesday night group, and a Saturday day group.
No matter which class you sign up for, you will all be a part of the same online community.
We will also offer a Basic Tier membership for those who still want the value of the community but prefer or must forgo the commitment of live sessions.
Story and Plot Pro is for both beginning and advanced screenwriters, but who are familiar with our vocabulary and our methodology. Because of this, both the Mastering Structure Course and the Idea To Outline course are prerequisites.
If you have not enrolled in these courses, but wish to enroll in Story and Plot Pro, you can enroll in the bundle HERE.
TUESDAY NIGHTS (630pm-830pm CST)
Class #1 August 12, 2025
Class #2 August 26, 2025
Class #3 September 2, 2025
Class #4 September 9, 2025
Class #5 September 23, 2025
Class #6 September 30, 2025
Class #7 October 14, 2025
Class #8 October 28, 2025
WEDNESDAY NIGHTS (630pm-830pm CST)
Class #1 August 13, 2025
Class #2 August 27, 2025
Class #3 September 3, 2025
Class #4 September 10, 2025
Class #5 September 24, 2025
Class #6 October 1, 2025
Class #7 October 15, 2025
Class #8 October 29, 2025
SATURDAY DAY (12pm-2pm CST)
Class #1 August 16, 2025
Class #2 August 30, 2025
Class #3 September 6, 2025
Class #4 September 13, 2025
Class #5 September 27, 2025
Class #6 October 4, 2025
Class #7 October 18, 2025
Class #8 November 1, 2025
COMMUNITY
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For the first 10 signups.
With no price increase as long as your membership is continuous.
COMMUNITY
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With no price increase as long as your membership is continuous.
Tom's knowledge and experience are so beneficial. There's no one out there doing it better. From class to online coaching, to writing stretches, and the community, the value of Story and Plot Pro is a real bargain.
I'm a significantly stronger writer thanks to Tom's coaching. He's so supportive, but that doesn't stop him from pushing us to make stronger choices and to simplify our process. He knows the business. He knows writing. He knows how things work. And everything is geared toward our success.
If you want to become a stronger screenwriter in all facets, you'd be a fool to pass up this opportunity.
-- Mark Hamptom
If you qualify for Story and Plot Pro, you know who I am. But if not, here is a little of my history: I started out in theatre as an actor and a playwright before turning to screenwriting. I have written screenplays professionally for about 27 years now and I have been teaching for nearly as long.
My seventh film was WINCHESTER, starring Helen Mirren, which was released theatrically in 2018. My next film, THE QUEEN MARY was release in 2023 and the plan is to see my ninth film DADDY'S GIRL go into production this fall.
I have worked on assignment as a screenwriter at Phoenix Pictures, TNT, MTV Films, Castle Rock Entertainment, ABC, NBC, CBS, Warner Brothers, Sony Pictures, Disney, and more. I have developed screenplays for Matthew McConaughey, Nicolas Cage, Barry Sonnenfeld, Chow-Yun Fat and many others.
I am a damn good writer, but I am an even better teacher. One of my proudest accomplishments is teaching and designing the screenwriting curriculum for my beloved alma mater, The University of Houston.