If the classes aren't an option for you, or you just want some serious, professional development help on a script you've already written, I am now offering a variety of new development services. I can coach you up on your scene work, help develop your next draft, or even help out from the very beginning. These are the exact same processes I go through whether I am writing on spec or on paid assignment and they're now available to you.
More information is available HERE.
1 DAY HOUSTON WORKSHOP
Saturday, November 10th
The University of Houston
10am-330pm, $125
Early-bird and Student Discounts available.
IMPROVING THE READ
1 DAY HOUSTON WORKSHOP
Saturday, November 10th
The University of Houston
10am-330pm, $125
Early-bird and Student Discounts available.
Thursdays, 7-930pm CST
Starts September 6th , 2018
7 Weeks, $375
SCREENWRITING 101 ONLINE
Thursdays, 7-930pm CST
Starts September 6th, 2018
7 Weeks, $375
7 Wednesdays, 7-10pm, PST
Start August 15th - June 27th, 2018
$400 for 7 weeks.
SCREENWRITING 201 ONLINE
7 Wednesdays, 7-10pm, PST
August 15th - June 27th, 2018
$400 for 7 weeks.
1 DAY HOUSTON WORKSHOP
UNIVERSITY OF HOUSTON
Saturday, September 22nd, 2018
10am-4pm
$125 / Discounts available.
STORY STRUCTURE
1 DAY HOUSTON WORKSHOP
UNIVERSITY OF HOUSTON
Saturday, September 22nd, 2018
10am-4pm
$125 / Discounts available.
LOS ANGELES
7 Tuesdays, 7-10pm
May 29th - July 10th, 2018
In Hollywood
$400 for 7 weeks.
WINCHESTER, the film I co-wrote, starring Helen Mirren and Jason Clarke, is now available on streaming and Blu-Ray.
HOUSTON, TEXAS
Saturday, March 25th
$99 | 10am - 330pm
SOLD OUT!
More info HERE.
STORY AND PLOT is designed to clear out the clutter of an over-crowded market of screenplay instruction.
STORY AND PLOT will help you see story structure for what it is: a liberating framework to help you best tell your story.
STORY AND PLOT will simplify your choices, not complicate them.
STORY AND PLOT will absolutely take your film work to the next level and beyond.
What Might Be Wrong With Your Spec Pilot
I’ve been able to read a lot of spec sitcom pilots in the last couple years. Mostly from friends and acquaintances within the Los Angeles improv/comedy scene. The shortcomings of these scripts has been surprisingly consistent. Keep in mind, these are very funny, talented writers so neither of those two things are an issue… KEEP READING